(C minor--C major; quadruple meter) We might take Berlioz's own double title literally, as a sign … This page is also available in French. Béatrice et Bénédict, Op.27 The following 3 pages are in this category, out of 3 total. Symphonie Fantastique: Épisode de la vie d'un Artiste...en cinq parties (Fantastic Symphony: An Episode in the Life of an Artist, in Five Parts), Op. Volume 17: Harold en Italie. Published 1901, li + 241 pp. Plate H.B. Or was it instead his impassioned valentine to a woman he Op.14: Symphonie fantastique; Première partie de l’Épisode de la vie d’un artiste [H 48, 1845] Op.14bis: Lélio; Monodrama lyrique; Deuxième partie de l’Épisode de la vie d’un artiste (previously called Le retour à la vie: mélologue en six parties) [H 55, 1855] Op.15: Grande Symphonie funèbre et triomphale [H 80, 1843] Symphonie Fantastique is a tour de force of bravura writing and of completely unprecedented orchestral effects. I: Rêveries, passions II: Un Bal III: Scène aux champs IV: Marche au supplice V: Songe d’une Nuit du Sabbat See also Texts and Documents; Berlioz and his music: self-borrowings. L'Orchestre philharmonique de Radio France dirigé par Myung-Whun Chung interprète la "Symphonie fantastique" d'Hector Berlioz. La Symphonie fantastique op. 1830: Symphonie Fantastique premieres at the Paris conservatoire in December, with Francois Habeneck conducting and Berlioz himself at kettledrums. Scène aux champs (Szene auf dem Lande) ∙IV. Set in Brooklyn and Manhattan, the film tells the story of a young man who enjoys a wild night out on the town with an adventurous young woman, only to face the consequences once the fantasy ends and reality kicks in. Band 22. Symphonie Fantastique: the symphony’s programme (1845 and 1855 versions) by Hector Berlioz [Note: between 1830 and 1855 Berlioz made a number of changes to the programme of the symphony, which is given here in the two principal versions, that of the first edition of the score in 1845, and that of 1855. Paperback edition.] Symphonie fantastique (5 sheet music) Added by FS the 2016-01-20: 0 comment. 6 Bibliography Barzun, Jacques. Symphonie fantastique is a piece of program music that tells the story of an artist gifted with a lively imagination who has poisoned himself with opium in the depths of despair because of hopeless, unrequited love. Symphonie fantastique holds a unique position in the history of music as one of the few surviving program symphonies. Volume 16: Symphonie fantastique. Published 1901, pp.235–432 (196). Band 21. • Switch back to classic skin, Series VI: Choral and vocal works with orchestra, Series VII: Choral and vocal works with piano, http://imslp.org/index.php?title=Hector_Berlioz_Werke_(Berlioz,_Hector)&oldid=1313893, Works first published in the 20th century, Creative Commons Attribution-ShareAlike 4.0 License, French (prefaces also in English and German). Symphonie fantastique. ISMN M-006-49504-7 [Piano Reduction, by Hugh Macdonald. The following 69 pages are in this category, out of 69 total. Benvenuto Cellini [Weimar version] 1832: Revised version of Symphonie Fantastique performed in Paris. The following 7 pages are in this category, out of 7 total. Type the code : Display again: Buy sheet music books . BA 5457. xix + 241 pages. Symphonie Fantastique (Paris, December 5, 1830) Close Analysis. Was Hector Berlioz writing music to get over his obsession with his distant love, Harriet Smithson? Harold en Italie. 14, is a program symphony written by Hector Berlioz in 1830. Recitatives for Weber’s Der Freischütz, Op.28 Abtheilung I: French with parallel German translation, published 1907, xvii + 280 pp. 14, in full Symphonie fantastique: épisode de la vie d’un artiste, English Fantastic Symphony: Episode in the Life of an Artist, orchestral work by French composer Hector Berlioz, widely recognized as an early example of program music, that attempts to portray a sequence of opium dreams inspired by a failed love affair. Beethoven's music established the Romantic ideal; instead of fitting suitable music into classical forms, Beethoven reconfigured the symphony and the personnel of the orchestra to accommodate his emotional expression. Shakespeare, as presented by the Irish actress, Harriet Smithson, changed Berlioz's life forever. Watch Video Michael Tilson Thomas. Un bal (Ein Ball) ∙III. • Page visited 192,549 times • Powered by MediaWiki • Page visited 14,519 times • Powered by MediaWiki • Switch back to classic skin, Alternative Names/Transliterations: Louis-Hector Berlioz, Article by Richard Macnutt on recent forgeries (1960s) of Berlioz letters, Amitié, reprends ton empire, H 10 (Berlioz, Hector), Le ballet des ombres, H 37 (Berlioz, Hector), Béatrice et Bénédict, H 138 (Berlioz, Hector), La belle voyageuse, H 42 (Berlioz, Hector), Benvenuto Cellini, H 76 (Berlioz, Hector), Canon libre à la quinte, H 14 (Berlioz, Hector), Le Carnaval romain, H 95 (Berlioz, Hector), Chant des chemins de fer, H 110 (Berlioz, Hector), Le chasseur danois, H 104 (Berlioz, Hector), La damnation de Faust, H 111 (Berlioz, Hector), Le Dépit de la bergère, H 7 (Berlioz, Hector), L'enfance du Christ, H 130 (Berlioz, Hector), Fleurs des landes, H 124 (Berlioz, Hector), Grande messe des morts, H 75 (Berlioz, Hector), Grande symphonie funèbre et triomphale, H 80 (Berlioz, Hector), Hymne à la France, H 97 (Berlioz, Hector), Hymne des Marseillais, H 51A (Berlioz, Hector), Hymne pour l'élévation, H 100 (Berlioz, Hector), Hymne pour la consécration du nouveau tabernacle, H 135 (Berlioz, Hector), Intrata di Rob-Roy MacGregor, H 54 (Berlioz, Hector), Invitation à louer Dieu, H 143 (Berlioz, Hector), Le jeune Pâtre breton, H 65 (Berlioz, Hector), Lélio, ou le retour à la vie, H 55 (Berlioz, Hector), Marche funèbre pour la dernière scène d'Hamlet, H 103 (Berlioz, Hector), Méditation religieuse, H 56 (Berlioz, Hector), La menace des Francs, H 117 (Berlioz, Hector), Le montagnard exilé, H 15 (Berlioz, Hector), La mort d'Ophélie, H 92 (Berlioz, Hector), La mort de Cléopâtre, H 36 (Berlioz, Hector), Nessun maggior piacere, H 114 (Berlioz, Hector), Overture 'King Lear', H 53 (Berlioz, Hector), Overture 'Le Corsaire', H 101 (Berlioz, Hector), Overture 'Waverley', H 26 (Berlioz, Hector), Pleure, pauvre Colette, H 11 (Berlioz, Hector), Quartetto e Coro dei Maggi, H 59 (Berlioz, Hector), Rêverie et Caprice, H 88 (Berlioz, Hector), La révolution grecque, H 21 (Berlioz, Hector), Roméo et Juliette, H 79 (Berlioz, Hector), Sara la baigneuse, H 69 (Berlioz, Hector), 8 scènes de Faust, H 33 (Berlioz, Hector), Sérénade agreste à la madone sur la thème des pifferari romains, H 98 (Berlioz, Hector), Symphonie fantastique, H 48 (Berlioz, Hector), Le temple universel, H 137 (Berlioz, Hector), New Edition of the Complete Works (Berlioz, Hector), Album de musique pour l'orgue expressif (Alexandre, Edouard), Chronique Musicale de Paris (Mainzer, Joseph), Collection de mélodies, H 139 (Berlioz, Hector), A Collection of Concert Overtures (Oesterle, Louis), Feuillets d'album, H 121 (Berlioz, Hector), Gedichte von Goethe in Compositionen (Friedlaender, Max), Aufforderung zum Tanze, Op.65 (Weber, Carl Maria von), Der Freischütz, Op.77 (Weber, Carl Maria von), La danse des fées, Op.41 (Prudent, Émile), 3 Grands duos concertants, Op.11 (Bessems, Antoine), Grand traité d'instrumentation et d'orchestration modernes, Op.10 (Berlioz, Hector), Lettres inédites de Hector Berlioz à Thomas Gounet (Berlioz, Hector), Lettres inédites de Hector Berlioz (Berlioz, Hector), http://imslp.org/index.php?title=Category:Berlioz,_Hector&oldid=2895210, Creative Commons Attribution-ShareAlike 4.0 License. Band 1.Published 1900, xlviii + 226 pp. Symphonie fantastique, H 48 (Berlioz, Hector) T. Tantum ergo, H 142 (Berlioz, Hector) Te Deum, H 118 (Berlioz, Hector) Le temple universel, H 137 (Berlioz, Hector) Toccata, H 99 (Berlioz, Hector) Tristia, H 119 (Berlioz, Hector) Les Troyens, H 133 (Berlioz, Hector) V. Valse chantée, H 131 (Berlioz, Hector) Veni creator, H 141 (Berlioz, Hector) In 1828, Paris buzzed with two sensations, Beethoven and Shakespeare. Series I: Symphonies. 14 (titre original : Épisode de la vie d'un artiste, symphonie fantastique en cinq parties) est une œuvre d'Hector Berlioz, dédiée à Nicolas I er de Russie et créée le 5 décembre 1830 au conservatoire de Paris, sous la direction de François-Antoine Habeneck, six ans après la neuvième symphonie de Beethoven Berlioz - Symphonie fantastique Mariss Jansons conductor Bavarian Radio Symphony … Symphonie fantastique, Op. Berlioz couldn't get enough of it. 1: Symphonie fantastique, Op.14, pp.3–150 (148 pages) Plate H.B. Band 3. Symphonie fantastique was featured in the films “The Shining,” “Sleeping with the Enemy,” and was the basis for the short film Last Night’s Symphonie (2014), a dark comedy that re-imagines the story of the symphony. Symphonie Fantastique, Opus 14 (1830) Hector Berlioz was born in La Côte-Saint-André, Isère, France, on December 11, 1803, and died in Paris, France, on March 8, 1869. It well documents Berlioz's position as one of the orchestral pioneers of the early nineteenth century. La prise de Troie, Op.29a, Band 24. Fro… Abtheilung II: French with parallel English translation, published 1907. Jump to: Movement I, Movement II, Movement III, Movement IV, Movement V. I. Rêveries--Passions. The following 9 pages are in this category, out of 9 total. BA 5456. xxxv + 221 pages [Study score. Edited by Paul Banks (2001). Symphonie fantastique. ORCHESTRA. One of the most representative pieces of the early Romantic period, it is still very popular with concert audiences worldwide. The following 6 pages are in this category, out of 6 total. Band 20. Content is available under the Creative Commons Attribution-ShareAlike 4.0 License List of works by Franz Liszt; Liszt's versions of works by others; Liszt Complete Editions . Kassel: Bärenreiter. Was this symphony his way of saying goodbye, or even seeking revenge? Band 12. Berlioz provided his own preface and program notes for each movement of the work. I. Rêveries – Passions (Träume – Leidenschaften) ∙II. The following 2 pages are in this category, out of 2 total. TP331. Band 19. Preface and explanatory remarks to volumes 1–20, Content is available under the Creative Commons Attribution-ShareAlike 4.0 License Roméo et Juliette The work is organic in an entirely new way, its subject shocked and generally upset three whole generations of concert-goers, and it is largely timeless, except in its subject matter. Your pseudo: You accept the terms and conditions. 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